Black Woman, Raced writer, truth-seeker, day-dreamer, occasional anti-hero, and whatever else I feel like being!
Black people live laugh and loving is the where my content starts and it expands outward:inwards >> to center Blackness in it’s most avant-garde intellectual and cultural traditions throughout the diaspora. My content is both ephemeral and [forreal] and in it’s late and ontime manner, in the words of @theineffability and @libertyamartin it focuses “on how Black people find their way back to one another interpersonally, artistically, and politically.”
<aside> 🧭 @KatelinTen LinkedIn
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<aside> 💡 My target audience is Black people everywhere specifically and anyone else who supports Black people. I do not think specificity is inherently exclusionary but my content is about Black people, many Black owned platforms are required to share or include everyone but I don’t think that’s required or true inclusion, so my platforms are for Black people but anyone is welcomed that’s also for Black people and Black Liberation.
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My target platform is Twitter, I believe in the notion that Black twitter existed long before 2009, and the timelessness of the platform and the way twitter birthed digital storytelling and literatures i.e.
$$ ∑ Twitterthread(zola(life(story))= Movie(Zola(life)) $$
I also love how twitter has transformed into a site of play. We even get our news and emotional relief from memes. Twitter is a site for Black creative production and it has changed how we process and think about media and literature
Black Twitter = ['play']